Month: March 2019

2019 Wallace Stevens Broadside: Claudia Rankine

Counterproof Press once again teamed with the Wallace Stevens Poetry Program and the UConn Design Center to produce the 2019 broadside of Rankine’s poem, Don’t Let Me Be Lonely.  Student, Lynn Tran is seen printing the edition below.  To view the final product, please visit Our Work section.

Claudia Rankine, a 2016 MacArthur Fellow, is the author of five collections of poetry including Don’t Let Me Be Lonely (Graywolf 2008) and the bestselling Citizen: An American Lyric (Graywolf 2014), which uses poetry, essay, cultural criticism, and visual images, to explore what it means to be an American citizen in a “post-racial” society. A defining text for our time, Citizen was the winner of the 2015 Forward Prize for Best Collection, the National Book Critics Circle Award for Poetry, the NAACP Image Award, the PEN Open Book Award, and the LA Times Book Award for poetry. 

In all her work, whether writing about intimacy or alienation, Rankine’s voice is typified by intensity and candor. Her poetry is both innovative and thoughtful, often crossing genres as it tracks startling yet precise leaps of the mind. As the Judges Citation for the Jackson Prize notes, “The moral vision of Claudia Rankine’s poetry is astounding. In a body of work that pushes the boundaries of the contemporary lyric, Rankine has managed to make space for meditation and vigorous debate upon some of the most relevant and troubling social themes of the 20th and 21st centuries…. These poems do the work of art of the highest order—teaching, chastening, changing, astounding, and humanizing the reader.” Among her numerous awards and honors, Rankine is the recipient of the Poets & Writers’ Jackson Poetry Prize and fellowships from the Lannan Foundation and the National Endowment of the Arts.

CPP Welcomes Rebecca Morgan

Born in central Pennsylvania, Rebecca Morgan works in painting, drawing, and ceramics that subvert stereotypes of Appalachia. Imbued with folk tradition and a sly sense of humor, her work peels apart the simultaneous reverence and disgust for rural people. Stylistically, Morgan embraces the hyper-detailed naturalism of Dutch masters, as well as absurd, repulsive caricature suggestive of underground cartoonists like R. Crumb. Although they often contain modern clues, her characters and scenes evoke a romanticized, nostalgic America, nonexistent but wistfully recalled, much like Norman Rockwell’s illustrations. Morgan’s works question what such images were selling in their conception, and she gives her archetypal maids, hillbillies, and dandies the space to explore contemporary issues of women reclaiming their subjectivity, a pop-cultural false sense of romance, and ideas about masculinity, power, escapism, and hedonistic backwoods pleasure.

Rebecca Morgan received a BA from Bloomsburg University of Pennsylvania and her MFA from Pratt Institute, NY. Press for her work includes The New York Times, Time Out New York, ARTnews, Whitehot Magazine, Beautiful Decay, Artslant, Juxtapoz Magazine, The Huffington Post, Paper Magazine, Hyperallergic, and Berlin’s Lodown Magazine. She is the recipient of residencies at the John Michael Kohler Arts Center, the Bemis Center for Contemporary Arts, The Watershed Center for Ceramic Arts Residency, a Vermont Studio Center full fellowship, and the George Rickey Residency at Yaddo, among others. Morgan has exhibited widely in the United States and abroad, with recent exhibitions at The Vancouver Art Gallery, Canada, The Hole, NY, MRS Gallery, NY, Marinaro Gallery, NY, Hashimoto Contemporary, CA, Woodstock Byrdcliffe Guild, NY, Fisher Parrish Gallery, NY, Woskob Family Gallery at Penn State, PA, Knoll Galerie, Austria, Richard Heller Gallery, CA, Children’s Museum of Art, NY, and SPRING/BREAK art fair, New York, NY.

https://rebeccamorganart.com/home.html

Rebecca Morgan’s visit was supported by GSS and Counterproof Press.